Monthly Archives: May 2012
The Terminator ••• [three out of five]
While the film is notable for bringing several major names to the light and grounding sci-fi into an accessible format for non Star Wars fans, it’s a little choppy and a little silly to really be called a great film.
Ancient Joe – Scott Morse ♦♦♦♦ [four out of five]
It takes about five minutes to read most Scott Morse collections. He has such a streamlined style that extends even to the word balloons / lettering that you can zip through a story and get the gist without time wasted on pesky things like enjoyment. I wouldn’t even suggest that you’re missing out on some deep thinking via a more patient panel-by-panel review, as Scott’s stories are generally pretty straight forward, but ‘Ancient Joe’ is a perfect example of Mr. Morse at his compressed best – it can be everything and nothing depending on how you read it.
I lied, you are missing out on some deep thinking. It’s because you’re dumb.
Animal Man (issues 27-32) – Peter Milligan ♦♦♦ [three out of five]
Milligan’s Animal Man run is 6 issues that varies between inspired energy and forced strangeness.
Batman (issues 452-454) – Peter Milligan ♦♦♦ [three out of five]
One of Milligan’s Bats tales, from issues 452-454 “Dark Knight, Dark City” is mostly just a fun little story. Once a couple pieces are in place the story is mostly obvious, but Pete does a good job of pumping excitement into each issue. Alfred gives him an outlet for his literary references, and the flashbacks give him an outlet for his more poetic leanings.
But where is my outlet for my unnecessary need to review everything?
My Winnipeg •••• [four out of five]
There’s really no perfect way to explain this movie. I’ve never seen a film like it before, and while I find it hard to directly recommend it, I also want everyone to watch it.
Immortals • [one out of five]
Spectacle, thy name is ‘Immortals.’ Goodness.
Absolute Zero • [one out of five]
I understand that you can’t expect much from low-budget high-spectacle movies, but perhaps it’s ‘Absolute Zero’s’ willingness to ignore itself that makes it even less tolerable than the norm.