Tideland ••• [three out of five]

On one hand, Tideland is perhaps Gilliam’s most focused film in terms of theme and impact.  He seemed to know what he wanted to say with this one and it provides for some of his strongest and most recognizable characters.  On the other hand, indirectly, this focus makes it more wandering and, at times, boring, than a good portion of his work.

Directly and indirectly: boring?

Leave a comment